Eden, fall, condemnation, salvation, heaven and hell - the six-line narrative that Brian McLaren presents as both conventional and dubious Christian theology. He has many questions, two of which stand out: Is this story morally believable, and is it found in the Bible?McLaren's answer to both is 'No'.
Where McLaren is mistaken is that you can "find" this story in the Bible. Eden is there. There is the first case of disobedience; the "original sin". There is humanity living in emnity with God. There is the salvation found in Jesus Christ. There is a heaven and there is a hell. The six-line narrative can be formed...if you want it. Is it morally believable, however? Is it, in other words, the kind of story we'd expect the God revealed in Jesus to weave?
I agree with McLaren's 'No' on this...kind of. I think the six-line narrative, as it would be expressed by Joe Church, is inherently human-centric and does an injustice to the character of God. Of course every shorthand (or longhand) version of this epic drama will fall short of doing its chief protagonist justice, but if an overarching story of Scripture exists, I think it has to be about God; the six-line narrative, for the most part, isn't.
McLaren and I part ways as he paints a caricature of specific beliefs held within this narrative, creating the god Theos as a foil for the real God Elohim. According to McLaren, six-line-narrativists (trust me, it will catch on) believe that we are saved and perfected so that Theos can love us again. I don't know anyone who actually believes that, so saying things like this is a waste of ink. But what McLaren may be getting at -- though it goes unsaid -- is one of the narrative's symptoms as I see it: The doctrine contained within is good and sound, but it doesn't quite seem to fit with the big picture, and thus our belief and our experience come into conflict (cognitive dissonance?). For example, we assert that we are loved by God even as we live in wilful rejection of him, but the big picture doesn't portray this kind of God from beginning to end (his love seems to happen somewhere toward the end), so assertion struggles to become experience. Many lives, including my own, deeply struggle to dwell in the love of God.
Unlike McLaren, I don't think there is anything necessarily unbiblical about the six-line narrative. I'm just not fully convinced that it is a helpful depiction of the Bible's story. Perhaps it merely needs to be tweaked? McLaren aims not at a tweaking, however, but at a ripping up and rebuilding. If I thought the the six-line narrative compelled me to believe in the Theos McLaren describes then I'd be by his side with a sledge hammer in hand, but McLaren's deliberately provocative argument makes it almost impossible for me to follow his footsteps. I have always held to a version of the six lines, but Theos is not the God it has lead me to believe in.
Nevertheless, story is always about more than belief and teaching. It involves the emotions, the shared experience. The story of creation, fall, condemnation, salvation, heaven and hell does not emphasize just what Scripture is: a love story between Creator and creatures. Each of the six words does not evoke all that should be evoked. There is no doubt that instead of throwing the baby out with the bathwater (never a good idea...trust me), some of the words need to be reclaimed after years of abuse. The Christian language needs to be relearned if our story -- whatever it is -- is to have any impact on us at all.
That being said, a fresh look at the acts in the narrative may lead to more than semantics. It's been a little while since I read the next chapter in McLaren's book, so I'm interested to see what story he proposes. If my memory serves me correct, however, it's not actually that different to the six-line narrative as it is fleshed out by some Christians. We shall see.
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